Transparent recording process reveals all. I’ve known John Fields a long time. It’s a friendship that veers between collaboration, BBQ, the camaraderie of our same-aged daughters, and our passion for the great music. With long-time relationships, comes funny stuff. Truth becomes unavoidable. Walls come down. And elephants in the room suddenly begin screaming. He and I met at his studio …
Transparent recording process reveals all. After years of not playing the slide guitar, “Invisible” beckons to shake off the rust. It’s something I love to do, having learned how in the 90’s, playing along to “Love In Vain” on The Rolling Stones‘ “Let It Bleed”, and J. B. Hutto & Lightning Hopkins records. It got to the point where we …
Transparent recording process reveals all. Originally I’d shown up at John Field’s studio to talk him through my drum vision for “Invisible”, a new song by Cliff Hillis & myself. Instead, John picked up his trusty Harmony bass, and got to work laying it down. Without any thought or discussion we kept last week’s rough drum edit muted. Besides, he’d …
Transparent recording process reveals all. I emailed him, “play the drums like on Matthew Sweet’s ‘Girlfriend’ or ‘Rhiannon’ from ‘Rumours,’ or both simultaneously.” Then, night fell. The next morning John Fields, producer of two Wisely albums (“She” and “Turbosherbet“) sent me his big messy test pass of drums. Suddenly, the arrangement for “Invisible,” co-written with pal Cliff Hillis, leaps off …